With many years experience working as recording engineers and producers, our review team of George Shilling and Russell Cottier know the good from the bad. In many cases it's a matter of taste, some prefer one EQ over another but we try to provide unbiased and objective reviews of the equipment tested.
There have been quite a few ‘character’ microphones that provide a non-linear response, e.g. the Bastard BM88. It’s cheap fun for a bit of lo-fi telephoney character if you are going for a wax cylinder sort of sound.Read George Shilling's review
Georg Neumann started making microphones in 1928. His first microphone, the CMV3 condenser was way better in sound quality and noise performance than the recording formats of the time.Read George Shilling's review
When scouring the microphone cupboards of the commercial studios I use, I am always delighted to encounter Brüel & Kjær models, (now available under the DPA name). Frequently, these are Type 4006 omni-directional condensers, known for their bright, clear and true characteristics.Read George Shilling's review