Toontrack has a solid reputation in the software instrument world primarily for its flagship product, Superior Drummer. Back in May Toontrack flew journalists from across the world to Galaxy Studios, Belgium.
Read Russell Cottier's reviewAMS Neve have recycled the 1073 mic preamp countless times, and adding digital connectivity is not new for Neve.
Read George Shilling's reviewThe first audio compressor was the Telefunken U3, used at the 1936 Olympics, and in the 1940s came the U13. Then, Rohde & Schwarz developed the third generation U23 in 1953.
Read George Shilling's reviewLeapwing have scored themselves something of a coup by bagging Al Schmitt’s talents and working with him to make something useful for mixing and mastering engineers.
Read George Shilling's reviewThere have been quite a few ‘character’ microphones that provide a non-linear response, e.g. the Bastard BM88. It’s cheap fun for a bit of lo-fi telephoney character if you are going for a wax cylinder sort of sound.
Read George Shilling's reviewSince 2011 Warm Audio of Austin, TX have built up quite a range of studio outboard based on classic designs, marketed at bargain prices. The Bus-Comp is no exception.
Read George Shilling's reviewMany Bettermaker outboard processors have passed through my studio including the knob-less (but still very physical) version of the hardware EQ232P, with its excellent sonics and clever expansion on the Pultec theme.
Read George Shilling's reviewRune Lund-Hermansen is the brains behind Tone Projects – clearly a man of many talents, as for nearly 7 years he was Lead Product Designer for every wine drinker’s favourite phone app, Vivino.
Read George Shilling's reviewBettermaker’s new Bus Compressor treads a now familiar path for the Polish hardware manufacturer. They have built a reputation for digitally controlled, recallable, high quality analogue hardware since the EQ230P Pultec-style EQ.
Read George Shilling's reviewEventide invented the Harmonizer in the 1970s and have updated the line as technology has progressed. The studio where I started in 1984 had a H910 in each studio, so I have always enjoyed a bit of harmonizing.
Read George Shilling's reviewWhen I started work at Livingston Studios at the end of 1984 there was an AMS RMX-16 in both studios. This was the only source of artificial reverb other than the EMT140 plates.
Read George Shilling's reviewEngineers have been gating drums since the Kepex was introduced by Allison Research in 1970, and apart from the 1982 Drawmer DS201 adding useful key filters, not much new has happened in the world of noise gating, apart from the ‘look ahead’ function afforded by...
Read George Shilling's reviewThermionic Culture have long developed products which include a valve-based microphone preamplifier section, like the Rooster, and dedicated mic preamps like the Earlybird.
Read George Shilling's reviewThermionic Culture’s enormous (and expensive) Fat Bustard summing unit includes a smooth-sounding EQ specially geared to mix buss usage. Perhaps inevitably, founder and designer Vic Keary received requests for a unit that include the EQ and Attitude sections, but not the summing.
Read George Shilling's reviewSilicon Valley plug-in boffins McDSP cite ML8000 as the next generation in advanced limiting technology. The ML8000 plug-in features two discrete processors. The first being multistage, multi-band lookahead peak detection and limiting, followed by a broadband master limiter with some rather flexible controls.
Read Russell Cottier's reviewJoey Sturgis is an American record producer with a studio in Indiana and a reputation as a leading expert working in the metalcore scene.
Read George Shilling's review