Regular readers will be aware that Antelope Audio has been rolling out a new range of its converters which include HDX connectivity.
Read Russell Cottier's reviewDave Derr introduced his first hardware unit the Distressor in the mid-1990s and scored remarkable success with what was perceived to be a modern advance on classic knee compressor designs like the 1176 and LA-2A.
Read George Shilling's reviewAntelope Audio has been in the converter and clocking manufacture business for over 20 years now. The Orion 32 HD is the latest in the Orion series, sporting similar topology to the Orion 32+ but with a sleek black look.
Read Russell Cottier's reviewThose who have been following Antelope Audio’s product releases over the past year or so will be aware that HDX compatible versions of these high-end studio interfaces are now available.
Read Russell Cottier's reviewPlugin design giant Waves has worked with many top flight producers and mix engineers over the last few years to deliver their Signature Series.
Read Russell Cottier's reviewThe new 26x32 channel Quantum is PreSonus’ fastest interface yet. Whilst it works with any DAW the design and integration aims to make usage ideal for Studio One users.
Read Russell Cottier's reviewIt is not often that you walk into a professional recording studio bereft of that familiar aluminium keyboard, white mouse or a glowing fruit logo.
Read Russell Cottier's reviewLiving under a metaphorical rock would not have prevented most recordists from encountering the ubiquitous PSP Vintage Warmer plug-in. Launched in 2002 it was this release that catapulted Polish plug-in designers PSP into the limelight. However PSP has released dozens of packages since.
Read Russell Cottier's reviewThe Orion 32+ is the follow up to the Antelope Audio Orion 32 released three years ago but offers a considerable increase in connectivity options.
Read Russell Cottier's reviewThe AE600 is the latest in the line of active EQs from this Silicon Valley based plug-in company. Offering six bands of both active and fixed EQ this is more than just your average plug-in.
Read Russell Cottier's reviewThe idea of bringing to market a plug-in that is deliberately difficult to hear but easy to feel is no mean feat. However this is ostensibly what Waves has done with the Saphira, the first plug-in from the new Cobalt series.
Read Russell Cottier's reviewYou may know the work of Igor Levin from his Aardvark convertors that created a buzz in the early days of computer-based recording. His Antelope Audio company has likewise become known for its attention to minimising clock jitter with ‘atomic clock type’ technology.
Read Russell Cottier's reviewIn the music industry, there are two types of people: those who cannot wait for every new software update and aspire to own every piece cutting edge technology, and those who prefer the tried and trusted, only accepting 'new' when it has really proved itself...
Read George Shilling's reviewIt’s not often you get the chance to review equipment that is named after the editor of the magazine, so the email with the subject “Zen for review” initially led me to some mistaken assumptions.
Read George Shilling's reviewSo, here we go again with yet another Fairchild 670 recreation. Only, hold on, this one really doesn’t feel quite right. Yes, they’ve made a good stab at the front panel, but this thing is almost as light as a feather.
Read George Shilling's reviewAnaMod was founded in 2006 by two industry veterans, Dave Amels (formerly of Bomb Factory, Voce and others) and Greg Gualtieri who is currently president of Pendulum Audio. The company has a unique ethos, with a fascinating approach to design.
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