Eventide invented the Harmonizer in the 1970s and have updated the line as technology has progressed. The studio where I started in 1984 had a H910 in each studio, so I have always enjoyed a bit of harmonizing.
Read George Shilling's reviewWhen I started work at Livingston Studios at the end of 1984 there was an AMS RMX-16 in both studios. This was the only source of artificial reverb other than the EMT140 plates.
Read George Shilling's reviewEngineers have been gating drums since the Kepex was introduced by Allison Research in 1970, and apart from the 1982 Drawmer DS201 adding useful key filters, not much new has happened in the world of noise gating, apart from the ‘look ahead’ function afforded by...
Read George Shilling's reviewThermionic Culture have long developed products which include a valve-based microphone preamplifier section, like the Rooster, and dedicated mic preamps like the Earlybird.
Read George Shilling's reviewThermionic Culture’s enormous (and expensive) Fat Bustard summing unit includes a smooth-sounding EQ specially geared to mix buss usage. Perhaps inevitably, founder and designer Vic Keary received requests for a unit that include the EQ and Attitude sections, but not the summing.
Read George Shilling's reviewSilicon Valley plug-in boffins McDSP cite ML8000 as the next generation in advanced limiting technology. The ML8000 plug-in features two discrete processors. The first being multistage, multi-band lookahead peak detection and limiting, followed by a broadband master limiter with some rather flexible controls.
Read Russell Cottier's reviewThe Nucleus controller released in 2010 brought SSL automation hardware to those people for whom a full SSL console was beyond practicality. The new SSL Nucleus 2 offers several useful upgrades and shifts to the Dante protocol for the internal 2x2 audio interface.
Read Russell Cottier's reviewJoey Sturgis is an American record producer with a studio in Indiana and a reputation as a leading expert working in the metalcore scene.
Read George Shilling's reviewRegular readers will be aware that Antelope Audio has been rolling out a new range of its converters which include HDX connectivity.
Read Russell Cottier's reviewDave Derr introduced his first hardware unit the Distressor in the mid-1990s and scored remarkable success with what was perceived to be a modern advance on classic knee compressor designs like the 1176 and LA-2A.
Read George Shilling's reviewAntelope Audio has been in the converter and clocking manufacture business for over 20 years now. The Orion 32 HD is the latest in the Orion series, sporting similar topology to the Orion 32+ but with a sleek black look.
Read Russell Cottier's reviewThose who have been following Antelope Audio’s product releases over the past year or so will be aware that HDX compatible versions of these high-end studio interfaces are now available.
Read Russell Cottier's reviewPlugin design giant Waves has worked with many top flight producers and mix engineers over the last few years to deliver their Signature Series.
Read Russell Cottier's reviewThe new 26x32 channel Quantum is PreSonus’ fastest interface yet. Whilst it works with any DAW the design and integration aims to make usage ideal for Studio One users.
Read Russell Cottier's reviewIt is not often that you walk into a professional recording studio bereft of that familiar aluminium keyboard, white mouse or a glowing fruit logo.
Read Russell Cottier's reviewLiving under a metaphorical rock would not have prevented most recordists from encountering the ubiquitous PSP Vintage Warmer plug-in. Launched in 2002 it was this release that catapulted Polish plug-in designers PSP into the limelight. However PSP has released dozens of packages since.
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