The new 26x32 channel Quantum is PreSonus’ fastest interface yet. Whilst it works with any DAW the design and integration aims to make usage ideal for Studio One users.
Read Russell Cottier's reviewIt is not often that you walk into a professional recording studio bereft of that familiar aluminium keyboard, white mouse or a glowing fruit logo.
Read Russell Cottier's reviewLiving under a metaphorical rock would not have prevented most recordists from encountering the ubiquitous PSP Vintage Warmer plug-in. Launched in 2002 it was this release that catapulted Polish plug-in designers PSP into the limelight. However PSP has released dozens of packages since.
Read Russell Cottier's reviewThe Orion 32+ is the follow up to the Antelope Audio Orion 32 released three years ago but offers a considerable increase in connectivity options.
Read Russell Cottier's reviewThe AE600 is the latest in the line of active EQs from this Silicon Valley based plug-in company. Offering six bands of both active and fixed EQ this is more than just your average plug-in.
Read Russell Cottier's reviewThe idea of bringing to market a plug-in that is deliberately difficult to hear but easy to feel is no mean feat. However this is ostensibly what Waves has done with the Saphira, the first plug-in from the new Cobalt series.
Read Russell Cottier's reviewYou may know the work of Igor Levin from his Aardvark convertors that created a buzz in the early days of computer-based recording. His Antelope Audio company has likewise become known for its attention to minimising clock jitter with ‘atomic clock type’ technology.
Read Russell Cottier's reviewIn the music industry, there are two types of people: those who cannot wait for every new software update and aspire to own every piece cutting edge technology, and those who prefer the tried and trusted, only accepting 'new' when it has really proved itself...
Read George Shilling's reviewIt’s not often you get the chance to review equipment that is named after the editor of the magazine, so the email with the subject “Zen for review” initially led me to some mistaken assumptions.
Read George Shilling's reviewSo, here we go again with yet another Fairchild 670 recreation. Only, hold on, this one really doesn’t feel quite right. Yes, they’ve made a good stab at the front panel, but this thing is almost as light as a feather.
Read George Shilling's reviewAnaMod was founded in 2006 by two industry veterans, Dave Amels (formerly of Bomb Factory, Voce and others) and Greg Gualtieri who is currently president of Pendulum Audio. The company has a unique ethos, with a fascinating approach to design.
Read George Shilling's reviewThe 1608 is a small format recording console based on the 1604 which API produced in the 1970s and early 1980s. Although I have never encountered one in the UK, examples in the USA are still cherished and lovingly restored.
Read George Shilling's reviewSurely the audio industry’s most copied product, in hardware and latterly in software, is the Pultec EQP-1A Program Equalizer.
Read George Shilling's reviewCharterOak have been making boutique microphones since 2002. Endearingly, rather than boosting his ego, founder Michael Deming, (an engineer and producer of some note), named the company after a local Connecticut landmark.
Read George Shilling's reviewSince Focusrite impressed everyone with their remarkable hybrid digital and analogue Liquid Channel microphone preamp (using a clever combination of convolution software and emulation hardware), they have brought their ‘Liquid’ convolution technology to a popular audience with the compressor and EQ emulating Liquid Mix, a...
Read George Shilling's reviewGyraf are a Danish company who have been quietly making valve-based outboard equipment for over 15 years; it is five years since Resolution last looked at any of their products.
Read George Shilling's review